Arts & Dialogue

Spring 2016 Schedule

Ping Chong + Company

Beyond Sacred: Voices of Muslim Identity

Sunday, September 18
7:30 pm
Memorial Hall

Ping Chong + Company’s interview-based theater production Beyond Sacred delves into the diverse stories of young Muslims who came of age in a post-9/11 New York City. The participants personify a range of Muslim identities, from converts to Islam to those who have drifted from their beliefs, from secular or cultural Muslims to stringent observers of the faith. Coming from varied cultural and ethnic backgrounds, they differ in many ways but share similar experiences and emotions in a time of increasing Islamophobia. Beyond Sacred illuminates the daily lives of Muslim Americans in an effort to work toward greater communication and understanding between Muslim and non-Muslim communities.


Sussan Deyhim

The House is Black

Friday, October 28
8:00 pm

Memorial Hall

Inspired by the works of Forough Farrokhzad, one of Iran’s most influential feminist poets and filmmakers, this stirring multimedia piece sheds light on the importance of Iranian contemporary arts. Iranian American performance artist/composer Sussan Deyhim examines the prophetic vision of Farrokhzad, whose message is as relevant today as it was 50 years ago when she died at the age of 32. Co-directed by award-winning director Robert Egan, The House is Black features Deyhim’s striking visual projections along with archival footage including Farrokhzad’s 1965 interview with Bernardo Bertolucci. The original score by Deyhim and Golden Globe-winning composer Richard Horowitz is rooted in Persian and Western contemporary classical music, jazz and electronic music. Featured on film soundtracks including Argo and The Last Temptation of Christ, Sussan Deyhim has worked with Martin Scorsese, Oliver Stone, Peter Gabriel and Bobby McFerrin, among others.


Joe Sellman-Leava

Labels

Thursday, November 17
7:30 pm

Historic Playmakers Theater

Joe Sellman-Leava’s one-man show Labels is a funny, moving tale about mixed heritage and immigration. Recounting his childhood in rural ’90s England in light of changing political attitudes and the ongoing refugee crisis, the performance melds stand-up comedy, storytelling and poetry. Shortlisted for Amnesty International’s Freedom of Expression Award, Labels analyzes the way we use words, the line between curiosity and fear, and the rise of anti-immigration rhetoric. Amid the cacophony of statistics and soundbites that surround the immigration debate, Labels offers an honest, human story about the bridges and barriers formed in a multicultural Britain.